美文赏析:当一个作家,书写自己的人生

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美文赏析:当一个作家,书写自己的人生

国色生枭围观:更新时间:07-16 19:14

美文赏析:当一个作家,书写自己的人生优秀的人之所以优秀是有原因的,可能他们是自律超人,也可能常常努力到深夜,但是结果都是相似的,总是从人群中脱颖而出。常言道,性格决定命运,而一个人的生活习惯又会对性格产生影响,所以想要成为一个优秀的女性,每天要坚持4个好习惯,除了多学习,你还了解哪一个?

1.不会化妆没关系,但要坚持涂防晒

许多女生嫌弃化妆麻烦,喜欢素颜出门,没关系,但要记得坚持涂防晒霜。太阳光中含有紫外线,照射在皮肤上,会使脂肪氧化,生成自由基,加速皮肤衰老。所以女生想要延缓衰老,永葆青春,就得坚持涂防晒霜。

2.没有上进心可以,但不能不学习

年轻女生常常被前辈们贴上了“不求上进”的标签,心态“佛系”,有也行,没有也行,似乎看淡了红尘。其实这也没什么不好,好好享受生活也是人生的一大乐趣。

但是无论何时何地,对于自己的人生还是要上心,不能停止学习。现在生活变化快,如果没有一颗“活到老,学到老”的决心,那么很容易被社会淘汰。

3.生活可以平淡,但要细心记录

或许我们的生活不够精彩,只是舞台剧中的小配角,但是也别忘记,用笔头记下平淡生活中的精彩瞬间。特别是灵光乍现的奇妙想法,要抓住它,展开它,也许就是一个很棒的创意,所以不管是什么,记录并深耕它,说不定就成了一次商机,或者是一个滋养你的爱好,最不济,也是多年后再翻起来时,与那年自己的一次对话。

4.不要强行合群

不要委屈自己,强行融入群体,在这个世界上,没有什么比天天听着三观不合的人,在自己面前叨叨,还要烦躁的事情了。

想要变得优秀是很多女生的梦想,但是优秀的女人不会告诉你,每天只需要做好这4点,你也可以成为其中一员,走向人生巅峰。

了解文章:美文赏析:当一个作家,书写自己的人生

The gas station nearest my house happens to face a strip club. It is apparently a very successful strip club, as they could afford to install a LCD screen on their roof that might be visible from the Space Station. It's certainly visible from the gas station. At some point my eyes will drift up while pumping gas, and there will be a one-story image of a young woman in some stage of near-undress.
离我家最近的加油站对面碰巧有一家脱衣舞夜总会。这家夜总的屋顶装了一个巨大的LED屏幕,说不定在太空上都看得见。能够支付这样的费用,看来经营得非常成功。不用说,在加油站也能看见那块屏幕。在加油的时候,我会不经意地往上看,一层楼高的屏幕上显示着一个几乎一丝不挂的少女。

As I was getting some gas this morning, I wondered for the first time what a woman pumping gas thought when she looked at that screen. Though it would depend on the woman, I thought. A woman who had once been an exotic dancer herself would certainly look at that image differently than a Catholic nun.
今天早上,我又来到这里加油,脑海中突然有一个问题挥之不去:一个女人来加油的时候看到那块屏幕会有什么想法呢?我觉得那要看她是个怎样的人。曾经当过脱衣舞者的女人和天主教的修女肯定会对那个图像有不同的看法。

美文赏析:当一个作家,书写自己的人生

The image would look different to each of us. And when I say look different, I mean we would be seeing what amounts to a different image. For while the young woman's pose and attire that I see are identical to the pose and attire that every other man, woman, and child sees, the story that image tells me is told uniquely by me, by my own ideas about women and advertising and maybe even gas stations.
那张图像对每个人来说都是不一样的,这个不一样是指我们会产生不一样的想法。虽然那个少女的姿势打扮在每一个男人、女人、小孩眼中都是一样的,但是我在那图像中捕捉到的故事是独一无二的,是由我自身对女人、广告、甚至是加油站的想法创造的。

The image is nothing; the story is everything. Good to remember if you're a writer. Writers don't report the facts. The fact that there is a strip club with a giant LCD screen blazing near-nudity for all to see means nothing in reality. All that ever matters is what a person believes when they look upon it. What a person believes is the terrain of the storyteller.
图像本身什么都不是,故事才是一切。如果你是个作家,你会知道作家并不是描写现实。那儿有一家脱衣舞夜总会,屋顶上有一块巨大的LED屏幕,屏幕上显示着几近裸体的少女,这是现实,没有意义的现实。真正有意义的是人看到这个景象时萌生的想法,人的思想是创作故事的土壤。

And by the way, it is the only terrain of the storyteller. Storytellers, whether they are conscious of it or not, wish to alter reality. We are not so interested in changing the image that flashes on the great LCD screen of the world. Mostly that's beyond our control. We could march, or protest, or fill out petitions to get the screen changed, but it's faster, ultimately, to tell ourselves a story about what we see there.
而且,思想是创作故事的唯一土壤。讲故事的人会有意无意地想去改变现实。我们不是想把现实中大屏幕上惹眼的图像换掉,大多数情况下我们都是有心无力。我们当然可以游行示威,写信请愿把那屏幕换掉,但说到底,更快捷的办法是给自己讲个跟眼前的事物有关的故事。

I sometimes forget I have to power to change that story. My mind drifts as idly from thought to thought as my eyes drift from gas pump to pinup. What occurs in this exchange between the world I look upon and the story I tell can happen so fast, can be so habitual, that I can lose track of who is telling the story I am hearing. The moment I remember, the moment I see my mind as a blank page on which to write my life, I am the author once more, and my life is mine again.
有时候我会忘记自己有改变故事的能力。我的视线四处游动,从汽油管飘忽到半裸少女,我的思维也跟着漫不经心地跳跃。把眼前的事实创作成的自己故事,这就像我的习惯一样,一眨眼的功夫,我已经分不清我到底是在创作故事,还是成为了故事的主人公。等我回过神来的时候,等我空白的脑海重新回想起自己生活的时候,我又重新成为故事的作者,重新回到了自己的生活中。

The gas station nearest my house happens to face a strip club. It is apparently a very successful strip club, as they could afford to install a LCD screen on their roof that might be visible from the Space Station. It's certainly visible from the gas station. At some point my eyes will drift up while pumping gas, and there will be a one-story image of a young woman in some stage of near-undress.
離我家最近的加油站對面碰巧有一家脫衣舞夜總會。這家夜總的屋頂裝了一個巨大的LED屏幕,說不定在太空上都看得見。能夠支付這樣的費用,看來經營得非常成功。不用說,在加油站也能看見那塊屏幕。在加油的時候,我會不經意地往上看,一層樓高的屏幕上顯示着一個幾乎一絲不挂的少女。

As I was getting some gas this morning, I wondered for the first time what a woman pumping gas thought when she looked at that screen. Though it would depend on the woman, I thought. A woman who had once been an exotic dancer herself would certainly look at that image differently than a Catholic nun.
今天早上,我又來到這裏加油,腦海中突然有一個問題揮之不去:一個女人來加油的時候看到那塊屏幕會有什麽想法呢?我覺得那要看她是個怎樣的人。曾經當過脫衣舞者的女人和天主教的修女肯定會對那個圖像有不同的看法。

美文賞析:當一個作家,書寫自己的人生

The image would look different to each of us. And when I say look different, I mean we would be seeing what amounts to a different image. For while the young woman's pose and attire that I see are identical to the pose and attire that every other man, woman, and child sees, the story that image tells me is told uniquely by me, by my own ideas about women and advertising and maybe even gas stations.
那張圖像對每個人來說都是不一樣的,這個不一樣是指我們會産生不一樣的想法。雖然那個少女的姿勢打扮在每一個男人、女人、小孩眼中都是一樣的,但是我在那圖像中捕捉到的故事是獨一無二的,是由我自身對女人、廣告、甚至是加油站的想法創造的。

The image is nothing; the story is everything. Good to remember if you're a writer. Writers don't report the facts. The fact that there is a strip club with a giant LCD screen blazing near-nudity for all to see means nothing in reality. All that ever matters is what a person believes when they look upon it. What a person believes is the terrain of the storyteller.
圖像本身什麽都不是,故事才是一切。如果你是個作家,你會知道作家并不是描寫現實。那兒有一家脫衣舞夜總會,屋頂上有一塊巨大的LED屏幕,屏幕上顯示着幾近裸體的少女,這是現實,沒有意義的現實。真正有意義的是人看到這個景象時萌生的想法,人的思想是創作故事的土壤。

And by the way, it is the only terrain of the storyteller. Storytellers, whether they are conscious of it or not, wish to alter reality. We are not so interested in changing the image that flashes on the great LCD screen of the world. Mostly that's beyond our control. We could march, or protest, or fill out petitions to get the screen changed, but it's faster, ultimately, to tell ourselves a story about what we see there.
而且,思想是創作故事的唯一土壤。講故事的人會有意無意地想去改變現實。我們不是想把現實中大屏幕上惹眼的圖像換掉,大多數情況下我們都是有心無力。我們當然可以遊行示威,寫信請願把那屏幕換掉,但說到底,更快捷的辦法是給自己講個跟眼前的事物有關的故事。

I sometimes forget I have to power to change that story. My mind drifts as idly from thought to thought as my eyes drift from gas pump to pinup. What occurs in this exchange between the world I look upon and the story I tell can happen so fast, can be so habitual, that I can lose track of who is telling the story I am hearing. The moment I remember, the moment I see my mind as a blank page on which to write my life, I am the author once more, and my life is mine again.
有時候我會忘記自己有改變故事的能力。我的視線四處遊動,從汽油管飄忽到半裸少女,我的思維也跟着漫不經心地跳躍。把眼前的事實創作成的自己故事,這就像我的習慣一樣,一眨眼的功夫,我已經分不清我到底是在創作故事,還是成爲了故事的主人公。等我回過神來的時候,等我空白的腦海重新回想起自己生活的時候,我又重新成爲故事的作者,重新回到了自己的生活中。

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